Here's a few pics of tattoos, paintings, etc. that have been floating around the shop... Enjoy!

Ben Siebert

Heath Leffel

Steve Turner

Steve Turner

Ben Siebert

And here's Jordon in his new hat Steve made for him. If only that sweet face tattoo was real...

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Ann Van Hoey in four dimensions

Ann van Hoey; Ceramic Bowl (photograph Eugene Hon)

Living at the tip of the African continent has it's advantages, especially when your country was the flavour of the month; hosts of the successful soccer football world-cup. We have arguably one of the best climates in the world (sunny-blue skies), lots of space, the game farms (big five) and the famous Table mountain. But if there is one thing that is a huge disadvantage, it's our isolation from the international art, craft and  design community. Exposure is not necessarily a problem for us (thanks to the Internet), but seeing it in the flesh, is out of reach for most South Africans. Our galleries and museums don't have the resources to purchase contemporary art and crafts. Ceramics in particular has a problem, this is due to it's tactile qualities and the nature of the surface quality; that can never be fully appreciated, unless it is tangible. Only when you handle the work up close, do you get to see it's true value; the master craftsmanship. This is demonstrated in a number of ways, in the construction skills, the form, shape and more importantly the development of the surface; that I refer to here as the fourth dimension.

Ann van Hoey; Ceramic Bowl (photograph Eugene Hon)

A case in point was when Ann van Hoey visited South Africa during the football world cup. She did a workshop for the local ceramic's community; especially the members of Ceramics SA. She happened to bring a few of her works to the workshop, for members to appreciate in the flesh - experience up close. Scale is always an issue when artifacts can only be viewed through the media. Believe me when I say, that to handle one of Van Hoey's bowls and teacups in the flesh is just incredible. To own one  is even more valuable. I have a very particular taste and I am proud to say that her work, images posted here, rates as one of my most prized possessions.  For an appraisal of her work, written by the author of this blog, follow the link provided here - Ann Van Hoey�s ceramic bowls are imbued with the quintessential of life itself. Or the label below.

Ann van Hoey. Ceramic Bowl. Collection Eugene Hon
Photograph Eugene.

Ann van Hoey; Ceramic Bowl (photograph Eugene Hon)

Ann Van Hoey. Ceramic Bowl.
Collection and Photograph - Eugene Hon.

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Ann Van Hoey in four dimensions

Ann van Hoey; Ceramic Bowl (photograph Eugene Hon)

Living at the tip of the African continent has it's advantages, especially when your country was the flavour of the month; hosts of the successful soccer football world-cup. We have arguably one of the best climates in the world (sunny-blue skies), lots of space, the game farms (big five) and the famous Table mountain. But if there is one thing that is a huge disadvantage, it's our isolation from the international art, craft and  design community. Exposure is not necessarily a problem for us (thanks to the Internet), but seeing it in the flesh, is out of reach for most South Africans. Our galleries and museums don't have the resources to purchase contemporary art and crafts. Ceramics in particular has a problem, this is due to it's tactile qualities and the nature of the surface quality; that can never be fully appreciated, unless it is tangible. Only when you handle the work up close, do you get to see it's true value; the master craftsmanship. This is demonstrated in a number of ways, in the construction skills, the form, shape and more importantly the development of the surface; that I refer to here as the fourth dimension.

Ann van Hoey; Ceramic Bowl (photograph Eugene Hon)

A case in point was when Ann van Hoey visited South Africa during the football world cup. She did a workshop for the local ceramic's community; especially the members of Ceramics SA. She happened to bring a few of her works to the workshop, for members to appreciate in the flesh - experience up close. Scale is always an issue when artifacts can only be viewed through the media. Believe me when I say, that to handle one of Van Hoey's bowls and teacups in the flesh is just incredible. To own one  is even more valuable. I have a very particular taste and I am proud to say that her work, images posted here, rates as one of my most prized possessions.  For an appraisal of her work, written by the author of this blog, follow the link provided here - Ann Van Hoey�s ceramic bowls are imbued with the quintessential of life itself. Or the label below.

Ann van Hoey. Ceramic Bowl. Collection Eugene Hon
Photograph Eugene.

Ann van Hoey; Ceramic Bowl (photograph Eugene Hon)

Ann Van Hoey. Ceramic Bowl.
Collection and Photograph - Eugene Hon.

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BBC questions do it yourself tattoos

Would you tattoo yourself using a DIY kit? This is the headline of the story unveiled by the BBC today in this article http://www.bbc.co.uk/news/magazine-10713587.

The BBC has revealed that more and more young people are using DIY kits to create their own tattoos...with no protection and no experience.

Tattoos are more popular than ever and there is increase pressure to have one, especially among young people. One surveys says that 1 in 3 has a tattoo in the UK.

More people are taking things into their own hands and tattooing themselves using various cheap methods. This was confirmed by tattoo artists who say they see more and more people walking in asking for a cover up of a really bad home made design. Many have been done with kits bought over the Internet for as little £60, mainly from China. The risk is high as this can lead to infection....and regrets!

Think twice before going for a DIY tattoo. It's definitely best to save up and have it done by a pro!!

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Homage to Lee Alexander McQueen.

Inez van Lamsweerde/Art+ commerce / H&K
As cited in L'Officiel  Hors-Serie McQueen.

One of the most influential designers in my creative development has been Lee Alexander McQueen (follow link to his website). He passed away recently and I therefore thought it necessary to pay homage to this provocative genius - a truly remarkable fashion designer. This quote by the artist in 2002 provides the necessary connection between our creative  thinking.

"I use things that people want to hide in their heads. War, religion, sex: things we all think about but don't bring to the forefront. But I do and I force them to watch it" text and image cited in Fashion Now, edited by Terry Jones and Avril Mair (2002:324).

ESHU Fall-Winter 2000 2001

Portrait by Corinne Day
cited in FASHION NOW (page 32)

He was born in London on March 17 in 1969. He left school at 16 and followed an apprenticeship as a tailor specializing in men's suits under Anderson & Sheppard and then Gieves & Hawkes. He completed his classical training at costumiers' Angles and Berman. He followed up his training working for Japanese Designer Koji Tatsuno and then assisted Romeo Gigli as a stylist. He finally graduated with a master in fashion design - his show was very spectacular; an enormous success ( the entire collection was purchased by Isabella Blow). It was this show, with the theme "Highland Rape" that inspired me greatly. Some of the hair styling was shaped like barbered wire, whilst the dresses were slit in rape-victim like fashion. The complimentary makeup was bloodied and bruised; at the time an integrated provocative approach to expressive couture. Visuals of this show is incredibly difficult to come by. The overall gestalt of the fashion statement is best described in the following quote by Matthew Callahan in his article titled "The ghosts that haunt us" follow link below.

"Disheveled hair, fake battle wounds, battered makeup effects, and ripped kilts all reflected the psychological processing and haunting of McQueen�s own ancestral past. Highland Rape furthermore acted as a way for McQueen to mimic and therefore expose structural inequality through a form of aesthetic resistance". Extract from an artcile written by Matthew Callahan, As cited at Zimbio.

Scanners Fall-Winter 2003-2004

What follows is a series of tributes and testimonies of fellow designers, celebrities and models as quoted in a special issue L'Officiel [De La Couture ET De La Mode De PARIS] titled Alexander McQueen 1969-2010. The quotes and testimonies are interspersed with my selection of images as cited in the above mentioned special issue. Obviously I have chosen images that best expresses his sculptural fashion statements. 

"I admired him tremendously. He was a revolutionary. He will not be forgotten and it is an immense loss.(...) Daring, original, stimulating he understood how to be a fabulous ambassador for fashion" John Galliano.

Voss Spring-Summer 2001

'VISIONARY, HE WAS ALMOST A MEDIUM. UNCONSCIOUSLY PERHAPS, HE KNEW HOW TO FORSEE THE PRESENT CRISIS WITH HIS SHOW THAT WAS A TRIBUTE TO THE FILM THEY SHOOT HORSES , DON'T THEY? BY SYDNEY PLLACK. HE WAS A MAN MADE FOR STAGING WHO USED HIS DREAMS AND HIS NIGHTMARES. A FREE SPIRIT. AND AT THE SMAE TIME HIS SUITS ARE INCOMPARABLY PERFECT" VANNESA BELLUGEON.

Its Only a Game Spring-Summer 200%.

 "I am still in shock over his tragic loss. I am devastated. Lee McQueen was my dear friend" Kate Moss.

It's only a game Spring-Summer 2005

 "He was one of the greatest fashion designers of his generation . Both a visionary and avant-garde. his creations were inspired by tradition and hyper modernity so that they were outside time." Francois Henri Pinault.

Sarabande Spring-Summer 2007

"We are deeply touched by the sudden death of Alexander McQueen, a designer that we have always admired for his creative genius and uncompromising inspiration. He has left an incomparable void in the world of fashion." Dolce and Gabbana.

"I AM INCREDIBLY SORRY." VIVIENNE WESTWOOD. 

The Horn of Plenty Fall-Winter 2009 - 2010

"This death makes me very sad. (....) He had talent and was an artist. It makes me very sad." Piere Berge. 

The Horn of Plenty Fall-Winter 2009 - 2010

'HE WAS VERY TALENTED AMD A VERY CREATIVE DESIGNER" PAUL SMITH.

The Horn of Plenty Fall-Winter 2009 - 2010

"HE WAS A UNCOMPROMISING CREATOR. A PROVOCATIVE GENIUS! IN ADDITION TO BEINNG A FABULOUS DIRECTOR. HE WAS TRULY A GREAT COUTURIER." MARIE -JOSE JALOU. 

Plato's Atlantis Spring -Summer 2010.

Plato's Atlantis Spring -Summer 2010.

Plato's Atlantis Spring -Summer 2010.

 "McQueen was a master of fashion, a creative genius and an inspiration. Today, the fashion industry has lost someone of true value. An icon for all times. He made everything he touched beautiful and will be despairingly regretted. My heart is really with his family and his friends during this sad moment." Victoria Beckham.

The McQueensberry Rule, Fall-Winter 09 - 10

Read More

Homage to Lee Alexander McQueen.

Inez van Lamsweerde/Art+ commerce / H&K
As cited in L'Officiel  Hors-Serie McQueen.

One of the most influential designers in my creative development has been Lee Alexander McQueen (follow link to his website). He passed away recently and I therefore thought it necessary to pay homage to this provocative genius - a truly remarkable fashion designer. This quote by the artist in 2002 provides the necessary connection between our creative  thinking.

"I use things that people want to hide in their heads. War, religion, sex: things we all think about but don't bring to the forefront. But I do and I force them to watch it" text and image cited in Fashion Now, edited by Terry Jones and Avril Mair (2002:324).

ESHU Fall-Winter 2000 2001

Portrait by Corinne Day
cited in FASHION NOW (page 32)

He was born in London on March 17 in 1969. He left school at 16 and followed an apprenticeship as a tailor specializing in men's suits under Anderson & Sheppard and then Gieves & Hawkes. He completed his classical training at costumiers' Angles and Berman. He followed up his training working for Japanese Designer Koji Tatsuno and then assisted Romeo Gigli as a stylist. He finally graduated with a master in fashion design - his show was very spectacular; an enormous success ( the entire collection was purchased by Isabella Blow). It was this show, with the theme "Highland Rape" that inspired me greatly. Some of the hair styling was shaped like barbered wire, whilst the dresses were slit in rape-victim like fashion. The complimentary makeup was bloodied and bruised; at the time an integrated provocative approach to expressive couture. Visuals of this show is incredibly difficult to come by. The overall gestalt of the fashion statement is best described in the following quote by Matthew Callahan in his article titled "The ghosts that haunt us" follow link below.

"Disheveled hair, fake battle wounds, battered makeup effects, and ripped kilts all reflected the psychological processing and haunting of McQueen�s own ancestral past. Highland Rape furthermore acted as a way for McQueen to mimic and therefore expose structural inequality through a form of aesthetic resistance". Extract from an artcile written by Matthew Callahan, As cited at Zimbio.

Scanners Fall-Winter 2003-2004

What follows is a series of tributes and testimonies of fellow designers, celebrities and models as quoted in a special issue L'Officiel [De La Couture ET De La Mode De PARIS] titled Alexander McQueen 1969-2010. The quotes and testimonies are interspersed with my selection of images as cited in the above mentioned special issue. Obviously I have chosen images that best expresses his sculptural fashion statements. 

"I admired him tremendously. He was a revolutionary. He will not be forgotten and it is an immense loss.(...) Daring, original, stimulating he understood how to be a fabulous ambassador for fashion" John Galliano.

Voss Spring-Summer 2001

'VISIONARY, HE WAS ALMOST A MEDIUM. UNCONSCIOUSLY PERHAPS, HE KNEW HOW TO FORSEE THE PRESENT CRISIS WITH HIS SHOW THAT WAS A TRIBUTE TO THE FILM THEY SHOOT HORSES , DON'T THEY? BY SYDNEY PLLACK. HE WAS A MAN MADE FOR STAGING WHO USED HIS DREAMS AND HIS NIGHTMARES. A FREE SPIRIT. AND AT THE SMAE TIME HIS SUITS ARE INCOMPARABLY PERFECT" VANNESA BELLUGEON.

Its Only a Game Spring-Summer 200%.

 "I am still in shock over his tragic loss. I am devastated. Lee McQueen was my dear friend" Kate Moss.

It's only a game Spring-Summer 2005

 "He was one of the greatest fashion designers of his generation . Both a visionary and avant-garde. his creations were inspired by tradition and hyper modernity so that they were outside time." Francois Henri Pinault.

Sarabande Spring-Summer 2007

"We are deeply touched by the sudden death of Alexander McQueen, a designer that we have always admired for his creative genius and uncompromising inspiration. He has left an incomparable void in the world of fashion." Dolce and Gabbana.

"I AM INCREDIBLY SORRY." VIVIENNE WESTWOOD. 

The Horn of Plenty Fall-Winter 2009 - 2010

"This death makes me very sad. (....) He had talent and was an artist. It makes me very sad." Piere Berge. 

The Horn of Plenty Fall-Winter 2009 - 2010

'HE WAS VERY TALENTED AMD A VERY CREATIVE DESIGNER" PAUL SMITH.

The Horn of Plenty Fall-Winter 2009 - 2010

"HE WAS A UNCOMPROMISING CREATOR. A PROVOCATIVE GENIUS! IN ADDITION TO BEINNG A FABULOUS DIRECTOR. HE WAS TRULY A GREAT COUTURIER." MARIE -JOSE JALOU. 

Plato's Atlantis Spring -Summer 2010.

Plato's Atlantis Spring -Summer 2010.

Plato's Atlantis Spring -Summer 2010.

 "McQueen was a master of fashion, a creative genius and an inspiration. Today, the fashion industry has lost someone of true value. An icon for all times. He made everything he touched beautiful and will be despairingly regretted. My heart is really with his family and his friends during this sad moment." Victoria Beckham.

The McQueensberry Rule, Fall-Winter 09 - 10

Read More